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Chuck Prophet Reviewed on NPR Music

CHUCK PROPHET AT JOE'S PUB MAY 22ND  

Chuck Prophet's new album, Temple Beautiful, takes its name from a former synagogue that hosted punk-rock shows in the late '70s and early '80s; it was next door to the temple overseen by cult leader Jim Jones. That may sound like a grim or black-humored reference point around which to erect an album, but with Prophet, grimness, humor, fact and fiction mingle freely. Before anything else, he's a guitar player with a melodically nasal voice whose phrasing favors the whimsical and the querulous.

Over the course of this album, Prophet takes you on a tour of San Francisco as he's lived and dreamed it, watching Castro Street Halloween parades, the famous local stripper Carol Doda and the San Francisco Giants-era Willie Mays. Prophet says his album is filled with "Google-free" facts and non-facts to suit the mythology he wants to create about the city he's so fond of.

Temple Beautiful — Chuck Prophet
Courtesy of the artist

One of the ways Prophet achieves tension and release in his songs is by contrasting the content of the lyrics with the tone of the music. Take, for example, "White Night, Big City," about the 1978 murder of San Francisco supervisor Harvey Milk and the riots that followed the trial of Milk's killer, Dan White. Prophet frames his version of that narrative with a song that has a jaunty melody, a refrain featuring doo-wop harmonies and openhearted compassion. The result is music whose ironies aren't cheap ones.

Ultimately, you can listen to Temple Beautiful for the superficial catchiness of its tunes, Prophet's slashed guitar chords and his searching, keening vocals and have a good time. And if you want to, you can listen more closely to what he's getting at on this album, and experience the album as one man's alternative history of three decades of West Coast culture and politics. All that, plus a few awfully good songs about having your heart broken.

 
Ethan Lipton & His Orchestra: No Place to Go
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Tickets To ETHAN LIPTON'S 'NO PLACE TO GO' On Sale NOW!!

THE PUBLIC THEATER ANNOUNCES 

ETHAN LIPTON'S NO PLACE TO GO

AT JOE'S PUB

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Written By Ethan Lipton * Directed By Leigh Silverman

Music By Ethan Lipton & His Orchestra

 

CLICK HERE TO PURCHASE TICKETS NOW!

TO PURCHASE TICKETS BY PHONE: CALL 212.967.7555

 

THE SHOW RUNS FROM MARCH 14th THROUGH APRIL 8TH 

 

February 2, 2012 – The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) is proud to present Ethan Lipton’s NO PLACE TO GO for a limited engagement at Joe’s Pub, beginning Wednesday, March 14. Directed by Leigh Silverman and written by Ethan Lipton with music composed by Ethan Lipton and His Orchestra, NO PLACE TO GO is the first Joe’s Pub commission, as part of its New York Voices Series, to become part of The Public Theater’s season.  

 

Commissioned last spring by Joe’s Pub as part of its first ever grant from the National Endowment for the Arts, NO PLACE TO GO was developed to have an extended three week engagement at Joe’s Pub through Sunday, April 8. It will have an official press opening on Wednesday, March 21. 

 

The company where he’s worked for the past 10 years is moving to another planet, and playwright Ethan Lipton doesn’t want to go.  Part love letter to his co-workers, part query to the universe, part protest to his company and country, NO PLACE TO GO delivers a hilarious, irreverent and personal musical ode to the unemployed in this unforgettable evening.

 

“Ethan is our modern Everyman, a fantastic amalgam of Woody Guthrie and Woody Allen,” said Artistic Director Oskar Eustis.  “No Place To Go is incredibly insightful, timely, and delightful.  We are thrilled to be able to bring back this fantastic show to share with a broader public.  Ethan deserves it, and so does our audience!”

 

“Ethan Lipton is an incredible artist who has delighted audiences at Joe’s Pub throughout the years, and I am thrilled that we are now able to bring his extraordinary talent to a larger audience,” said Joe’s Pub Director Shanta Thake. “This beautiful piece that was part of Joe’s Pub’s first ever series of commissions is a true testament to Ethan’s unique point of view that also manages to be completely universal in its appeal.”

 

Ethan Lipton (Playwright). His plays have been seen and heard in New York, Los Angeles, Seattle, Edinburgh (Scotland) and Berne (Austria). Ethan is a winner of a NYFA grant and a Drama-Logue Award for playwriting. He has been a Kesselring prize nominee, an O’Neill Conference finalist; a member of the inaugural class of the Emerging Writers Group at The Public Theater; and is currently a Playwright’s Realm Fellow. In 2011 Ethan was commissioned by Joe’s Pub through the NEA to write No Place to Go as part of the New York Voices series. With his band Ethan Lipton and His Orchestra (“Best Lounge Act” New York Magazine), he has released four albums and played throughout New York and beyond (Joe’s Pub, Bryant Park, Celebrate Brooklyn, MASS MoCA, Camden Opera House, etc.). The band has been featured on radio shows such as “Weekend Edition,” “The World,” and “Soundcheck,” and contributed songs to Clash cover album “Sandinista” and the film “The Shift.” As a performer, Ethan has worked with Laurie Anderson, Cynthia Hopkins, Elevator Repair Service, Matt Berninger of The National, and Gabriella Barnstone. 

LEIGH SILVERMAN (Director). Her Broadway credits include David Henry Hwang’s Chinglish; Lisa Kron’s Well. Her recent world premieres include Chinglish (Goodman Theater, Jeff nomination); In the Wake (Center Theatre Group/Berkeley Repertory Theatre and The Public Theater, Obie Award, Lortel nomination); Close Up Space (MTC); Go Back to Where You Are (Playwrights Horizons, Obie Award); From Up Here (MTC, Drama Desk nomination); David Henry Hwang’s Yellow Face (Center Theatre Group/The Public Theater); Coraline (MCC/True Love); Beebo Brinker Chronicles (Hourglass Group/37 Arts); Creature (New Georges/P73); Hunting and Gathering (Primary Stages); Well (The Public Theater, Huntington Theatre and ACT); The Retributionists (Playwrights Horizons); Blue Door (Playwrights Horizons and Seattle Repertory Theatre); Oedipus at Palm Springs (NYTW); Jump/Cut (Woolly Mammoth Theatre/Theater J and Women’s Project); also Danny and the Deep Blue Sea (Second Stage Theatre); and many regional productions.

VITO DIETERLE (Saxophone) has been a featured soloist at the Burlington and Chicago Jazz Festivals, and in venues around the country. In New York he is a frequent player with composer-pianist Joel Forrester’s band People Like Us, and he leads his own trio every Sunday at Little Branch. Vito studied at The New School with jazz greats such as Arnie Lawrence, Barry Harris, Benny Powell, Lee Konitz, Reggie Workman, Junior Mance and Chico Hamilton and is part owner of the jazz supper club Silver Lining.

EBEN LEVY (Guitar) was co-leader of the ‘90s cult-favorite funk band Chucklehead and was the group’s guitarist, emcee and a principal songwriter.  Eben later led the organic/electronic funk band Ejectrode, putting out Accident Theory in ’02, and has written music extensively for film and television.

IAN M. RIGGS (Bass)  is also a composer, singer and guitarist who performs and records in and out of New York City with a wide range of artists, among them Howard Fishman, One Ring Zero, Blarvuster, Hilary Hawke, Likeness to Lily, The Lonesome Trio, Giancarlo Vulcano, and David Eggar. As a composer he has provided music for Adrian Muys’ films, Iris, and Hands of Harvest as well as for Gabriella Barnstone’s dance/theatre piece, The Dinner Party.

NO PLACE TO GO features lighting design by Ben Stanton.

 
Xavier Featured on NY1 Today

XAVIER ON NY1

WATCH IT NY1.COM NOW!

 

 

Xavier performs his Valentine's Day Eve Ladies of Soul Tribute at Joe's Pub on February 13th at 9:30pm

Xavier is an alumnus of the Boys Choir Of Harlem, who's drawn praise from the likes of Mary J. Blige, Lena Horne, D’Angelo, TV on the Radio, The Rapture, and Ashford & Simpson. His U.K. debut earned him a top ten hit. Other recording credits include the Scissor Sisters, New Power Generation, Vula Maligna & Sharlene Hector (Basement Jaxx) , Stephin Merritt, Nomi Ruiz (Jessica 6), and LL Cool J. 

 

"gently soulful.

The New York Times

 

“pure magic

Billboard magazine

 

“glorious.

NME

 
Sequenza 21 Previews Todd Reynolds, Peter Gregson, Gabriel Prokofiev - Feb 10 at the Pub

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SEQUENZA 21 COVERAGE

TODD REYNOLDS / PETER GREGSON / GABRIEL PROKOFIEV

With so much of the new music buzz being (deservedly) sucked up by the Ecstatic Music Festival right now, I wanted to make sure that the S21 faithful know about what looks to be a great evening coming up on February 10 at 9 pm at Joe’s Pub, featuring three of “hottest” musician/composers around.

Todd Reynolds, dubbed by ur…me, “the Eric Clapton of the electronically souped up violin,” will perform a few works from his album Outerborough, which was named Amazon’s Best Classical release of 2011, and also perform with the British cellist Peter Gregson,  who has collaborated with Tod Machover and Max Richter, among many other luminaries. He will be marking the first US performance of Nonclassical’s latest release, Cello Multitracks (written by Gabriel Prokofiev), which he premiered in London in 2011.  Prokofiev, who is also in the US for the world premiere of his latest orchestral work, has gained a unique status as an innovative, far-reaching figure within British contemporary music. His work as a composer has brought instruments such as turntables, electric guitars, and oil drums, to high profile concerts including the BBC Proms, earning him critical acclaim in the process. Meanwhile, as a DJ Prokofiev has carved a singular reputation, playing to audiences at the New York Met and around the world, combining his background in urban music production with a passion for 20th and 21st century classical music.

Book it, Dano…

By Jerry Bowles

 
Marketa Irglova on World Cafe / NPR Music

MARKETA IRGLOVA ON NPR WORLD CAFE 

Czech musician Markéta Irglová has spent much of her life becoming a darling of the folk and indie-rock scenes. At 13, she began collaborating with Glen Hansard and his band The Frames. In 2006, she continued her work with Hansard, forming The Swell Season, and in the following year the duo co-starred in the film Once. "Falling Slowly," the airy, melodic duet they composed for the movie, won an Oscar for Best Original Song, making Irglová the youngest artist ever to receive that award. Since 2006, Once has undergone a stage adaptation and is playing live in New York, while Irglová showcases her solo talents on Anar, her first solo album.

Soft and wintry with a melancholic quality, Anar isn't so morose as to be heavy, with Irglová's vocals gliding gently over the piano-centric melodies. It doesn't have the volume or intensity of her collaborations with Hansard: In tracks such as "Go Back" and "Crossroads," Irglová demonstrates her songwriting sensibilities with subtle jazz riffs and quiet urgency.

In this World Cafe interview, Irglová discusses the symbolism she incorporated into Anar, as well as her thoughts on the Broadway production of Once and the idea of another album from The Swell Season.

 

MARKETA'S JOE'S PUB PERFORMANCE: February 15th & 22nd at 7:00PM  Buy Tickets

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globalFEST 2012 Press Coverage: NY Times, NPR, & More

globalFEST 2012:  A WORLD MUSIC SUCCESS AT WEBSTER HALL

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Here is a Press Roundup: 

 

New York Times: A Night When All The World’s Onstage

NPR Music: globalFEST 2012: A World of Amazing Discoveries

Village Voice: Sound of the City: globalFEST Takes Webster Hall On a Too-Quick Trip Around The World

PRI’s The World: globalFEST 2012 to Get Colombian Flavor with M.A.K.U. Sound System

NJ.com: globalFEST exposes Americans to International Artists

New York Daily News: globalFEST 2012: The World’s Music Revealed in a Single Show at Webster Hall

WNYC Gig Alert: BelO at globalFEST

Art & Culture Maven: globalFEST 2012

Gigape: globalFEST 2012 Review

Time Out NY: globalFEST 2012: Shake Off The Post-New Year’s Blahs with an Evening of Multinational Reverie

New York Daily News: All the World’s Music in globalFEST

DNA Info: Global Sounds Abound in Manhattan for APAP/NYC Music Conference

Brooklyn Vegan: globalFEST Returns to Webster Hall in January

Breaking News Online: globalFEST at Webster Hall - Review

France Rocks: Zaz Returns to NYC This Weekend for globalFEST

Haitian Beatz:  BelO Interview with HB After globalFEST at Webster Hall

The Wild: Getting up for globalFEST

EthioSun: globalFEST 2012: A World of Amazing Discoveries

WGBH News: Debo Band: globalFEST 2012

New York Music Daily:  globalFEST 2012 – In Case You Haven’t Heard Already

Time Out NY: Critics Pick

Buzz About Music: globalFEST 2012: International Artists Gather as New York’s Musical Melting Pot Gets Richer

All Access Planet: globalFEST 2012 Opens New Spaces for Traditions Transformed

Tropical Fete: BelO brings Haiti’s Soul to globalFEST Stage

Paper Magazine: Eight Items or Less … globalFEST Mention

WorldMusic.Net: WMN’s Rough Guide to globalFEST

World Music Trends: Chinese Sheng Master Wang Li to Perform at globalFEST 2012

Mic Check: The Mix – The Sounds of globalFEST 2012

All Things Live: globalFEST – Webster Hall NYC

Guest of a Guest: Music News Roundup – globalFEST 2012

Kind of Nublu: globalFEST party

My Cape Verde News: globalFEST Exposes Americans To International Artists

 
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