Show Description
Wakey!Wakey! made their presence known over the past couple years by finding a perfect balance between crowd-pleasing pop and art-damaged indie rock. It’s something Grubbs learned from New York’s anti-folk scene and its founding father, Lach. (The Lower East Side icon mentored Grubbs, which isn’t a surprise—Lach shunned the piano the second he heard the Sex Pistols.) “To come from such a repressed musical environment and then hear someone like Regina Spektor perform with such abandon—shouting and hitting her stool with a drum stick—was priceless.”
Nowadays, Grubbs is the crazy one, slapping his piano around and singing like his life depends on it while conducting a rich backdrop of sweeping strings, heavenly harmonies, and enough delicate details to make Wakey!Wakey!’s first proper LP feel like an Oscar-nominated film soundtrack. Which is ironic to say the least. After all, One Tree Hill creator Mark Schwahn loved a Wakey!Wakey! set so much he tapped their sun-stroked “War Sweater” track for season 6’s finale and recruited Grubbs for a recurring role. That’d be the tale of a bartender/musician named, err, Grubbs—a strangely familiar life story hinted at in such standout Wakey!Wakey! songs as “Almost Everything,” “Twenty-Two,” and “Got It All Wrong.”
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Lacrymosa is the solo-moniker of Caitlin Pasko. Hailing from Virginia Beach, VA, Pasko was taught classical piano from a young age, and quickly showed a preternatural genius for the instrument. Her mastery of impressionistic cadences and romantic conveyance of melody gave way, despite her rigorous background, to a songwriting ability beyond the pale of her peers. At twenty, she’s channeled the playful character of Regina Spektor and Feist in the creation of a stamp all her own, one steeped in the mystic literacy of Joanna Newsom and Kate Bush, capable of deep deliverance and nurture. Caitlin Pasko’s story will be told…
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